Glass, fused
slow, in a Texas barn.

Amy works out of a barndominium in central Texas, where the back wall is lined with shelves of art glass — sheet, frit, stringers — sorted roughly by colour and impulse.

Most pieces take two or three firings. Every cut, every colour, every choice in between is Amy's; the glass does precisely what she means it to.

New work appears in batches; commissions are open year-round. Tell her what you're imagining →